Host - IX

Label - Nuclear Blast Records

Release Date- 24th February 2023

Words- Chris Fletcher

It would usually come as a shock that a project’s debut album sounds this accomplished, however given the talent involved, it should come as no surprise that ‘IX’ sounds as good as it does. The new project of Paradise Lost doomsters, Nick Holmes and Greg Mackintosh, Host allows the two to flex their musical muscles in a more goth-tinged direction, using predominantly electronic stylings that will appeal to fans of Depeche Mode.

What we have here is ten tracks of synth-led, goth-leaning anthems that manage to juxtapose catchiness with the inherent bleakness that you would expect from a Paradise Lost side project. When looking at other side projects (such as Strigoi) this isn’t what you would necessarily be expecting. However, this is definitely a one for the plus column. Given those involved, the fact that the quality and versatility of the vocals is one point of difference that makes this a worthwhile endeavour.

Starting off with some acoustic guitar before a pulsating synth, coupled with bleak lyrics and stirring strings, opening track ‘Wretched Soul’ sets the tone perfectly as well as setting a standard that very rarely dips throughout the entire run time. From here we move into recent single ‘Tomorrow’s Sky’ which shows off an impressive penchant for vocal hooks. What these two opening tracks also demonstrate is a sparing use of electric guitar which is a welcome highlight every time it is employed to cut through the electronics.

Lyrically and thematically the band also manage to marry a retro, mainly 80’s sound with a futuristic eye. Whilst the music wears its influences on its sleeve it never sounds dated, remaining vital and timeless at the same time. Looking at the song titles used throughout, you can clearly see that a dread and fear of the future is very much the order of the day, fitting in nicely with the doom-laden musical history of those involved. If there was any doubt about the 80’s influence on display, the final track being a cover of Flock of Seagull’s ‘I Ran’ should put this to bed.

Overall this is a record that is well worth its place in the discography of two musicians who have nothing to prove. One of the best things about this record is how it leaves you wanting more, desperate to see where they go from here. If they can build on this and keep up the level of quality that has been achieved on this first outing, then this could be the start of something special.

8/10.